Musical Theatre 3 C

The study is oriented towards a systematic discussion of the history of the music theatre. It is focused on different questions that can encompass:
• individual creators,
• genres,
• music forms,
• time sections/composer schools,
• geographical areas,
• music reproduction reception of musical works,
• key chapters: opera after Wagner, Italian verismo, expressionism, neoclassicism, political opera, antiopera, serialism and opera, New music and tradition, music theatre, instrumental theatre, scenic compositions, avant-garde, postmodernism, contemporary opera, postopera.
The study gives insides in basic dramaturgical questions, tied to the characteristics of music-theatre works in different historical periods.
Topics and themes for individual assignements are changed with every iteration of the subject.

Jože Sivec, Opera skozi stoletja, Državna založba Slovenije, Ljubljana 1976. COBISS.SI-ID - 9733633
Carl Dahlhaus, Die Musik des 19. Jahrhundert, Laaber Verlag, Laaber 1980. COBISS.SI-ID - 20184065
Sieghart Döhring in Sabine Henze-Döhring, Oper und Musikdrama im 19. Jahrhundert, Laaber Verlag, Laaber 1997. COBISS.SI-ID - 71625472
Siegfried Mauser, Musiktheater im 20. Jahrhundert, Laaber 2002. COBISS.SI-ID - 36917549
Hermann Danuser, Die Musik des 20. Jahrhunderts, Laaber 1996. COBISS.SI-ID - 20184321
Gregor Pompe, Teksti za zgodovino opere II, Filozofska fakulteta, Ljubljana 2013. COBISS.SI-ID - 52573282